DOU, Gerrit
Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.
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DOU, Gerrit Man Interrupted at His Writing oil painting


Man Interrupted at His Writing
1635 Oil on panel Sudeley Castle Trustees, Winchcombe, Gloucestershire.
Painting ID::  18992 		DOU, Gerrit
Man Interrupted at His Writing
1635 Oil on panel Sudeley Castle Trustees, Winchcombe, Gloucestershire.
   
   
     
DOU, Gerrit Old Man Lighting a Pipe oil painting


Old Man Lighting a Pipe
1635 Oil on panel private collection, England
Painting ID::  18993 		DOU, Gerrit
Old Man Lighting a Pipe
1635 Oil on panel private collection, England
   
   
     
DOU, Gerrit Still Life with Globe, Lute, and Books oil painting


Still Life with Globe, Lute, and Books
1635 Oil on panel Private collection
Painting ID::  18994 		DOU, Gerrit
Still Life with Globe, Lute, and Books
1635 Oil on panel Private collection
   
   
     
DOU, Gerrit Self-Portrait oil painting


Self-Portrait
1635-38 Oil on panel Cheltenham Art Gallery and Museums.
Painting ID::  18995 		DOU, Gerrit
Self-Portrait
1635-38 Oil on panel Cheltenham Art Gallery and Museums.
   
   
     
DOU, Gerrit Portrait of a Young Woman oil painting


Portrait of a Young Woman
1635-40 Oil on panel Manchester City Art Galleries.
Painting ID::  18996 		DOU, Gerrit
Portrait of a Young Woman
1635-40 Oil on panel Manchester City Art Galleries.
   
   
     
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     DOU, Gerrit
     Dutch Baroque Era Painter, 1613-1675 Dutch painter. The first and most famous member of the group of artists referred to as the LEIDEN 'FINE' PAINTERS, he specialized in small-format paintings, the details and surfaces of which are carefully observed and meticulously rendered. He was greatly praised as a painter of artificial light by Samuel van Hoogstraten in 1678, and he was responsible for popularizing both the night scene and the 'niche' format, pictorial devices ultimately derived from the art of his famous master, Rembrandt.

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